{"id":687,"date":"2020-09-30T22:47:37","date_gmt":"2020-09-30T20:47:37","guid":{"rendered":"http:\/\/tomekwojcik.eu\/?page_id=687"},"modified":"2025-01-16T16:39:30","modified_gmt":"2025-01-16T15:39:30","slug":"szkola-polska","status":"publish","type":"page","link":"https:\/\/tomekwojcik.eu\/index.php\/szkola-polska\/","title":{"rendered":"Polish Film School &#8211; posters"},"content":{"rendered":"\n<p id=\"tw-target-text\">The movies combine animations showing the construction of the graphic structure of the posters with fragments of films by the Polish Film School, an artistic formation present in Polish cinematography in the years 1956-1963. The Polish Film School has had and still has a significant impact on contemporary cinema and other fields of art.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/tomekwojcik.eu\/wp-content\/uploads\/2019\/02\/ashes_and_diamonds_700x1000-01.svg\" alt=\"\" class=\"wp-image-449\" width=\"496\" height=\"709\"\/><\/figure><\/div>\n\n\n<figure class=\"wp-block-video\"><video controls src=\"https:\/\/tomekwojcik.eu\/wp-content\/uploads\/popiol_i_diament.mp4\"><\/video><figcaption class=\"wp-element-caption\"><strong>Ashes and diamonds<\/strong> (Popi\u00f3\u0142 i diament) 1958, re\u017c. Andrzej Wajda<\/figcaption><\/figure>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/tomekwojcik.eu\/wp-content\/uploads\/2025\/01\/mother_joan_of_the_angles_700x1000_new.svg\" alt=\"\" class=\"wp-image-949\" width=\"491\" height=\"710\"\/><\/figure><\/div>\n\n\n<figure class=\"wp-block-video\"><video controls src=\"http:\/\/aldebaran.home.pl\/video\/matka_joanna_od_aniolow.mp4\"><\/video><figcaption class=\"wp-element-caption\"><strong>Mother Joan of the Angels <\/strong>(Matka Joanna od Anio\u0142\u00f3w) 1961, re\u017c. Jerzy Kawalerowicz<\/figcaption><\/figure>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/tomekwojcik.eu\/wp-content\/uploads\/2019\/02\/the_noose_700x1000-01.svg\" alt=\"\" class=\"wp-image-421\" width=\"496\" height=\"709\"\/><\/figure><\/div>\n\n\n<figure class=\"wp-block-video\"><video controls src=\"http:\/\/aldebaran.home.pl\/video\/petla.mp4\"><\/video><figcaption class=\"wp-element-caption\"><strong>The loop<\/strong> (P\u0119tla) 1957, re\u017c. Wojciech Jerzy Has<\/figcaption><\/figure>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/tomekwojcik.eu\/wp-content\/uploads\/2019\/02\/the_depot_of_the_dead_700x1000-01.svg\" alt=\"\" class=\"wp-image-443\" width=\"496\" height=\"709\"\/><\/figure><\/div>\n\n\n<figure class=\"wp-block-video\"><video controls src=\"https:\/\/tomekwojcik.eu\/wp-content\/uploads\/baza_ludzi_umarlych.mp4\"><\/video><figcaption class=\"wp-element-caption\"><br><strong>The depot of the dead<\/strong> (Baza ludzi umar\u0142ych) 1958, re\u017c. Czes\u0142aw Petelski<\/figcaption><\/figure>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/tomekwojcik.eu\/wp-content\/uploads\/2019\/02\/how_to_be_loved_700x1000-01.svg\" alt=\"\" class=\"wp-image-415\" width=\"496\" height=\"709\"\/><\/figure><\/div>\n\n\n<figure class=\"wp-block-video\"><video controls src=\"http:\/\/aldebaran.home.pl\/video\/jak_byc_kochana.mp4\"><\/video><figcaption class=\"wp-element-caption\"><strong>How to be loved <\/strong>(Jak by\u0107 kochan\u0105) 1963, re\u017c. Wojciech Jerzy Has<\/figcaption><\/figure>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/tomekwojcik.eu\/wp-content\/uploads\/2019\/02\/kanal_700x1000-01.svg\" alt=\"\" class=\"wp-image-414\" width=\"496\" height=\"709\"\/><\/figure><\/div>\n\n<p><div class=\"entry-video\"><iframe loading=\"lazy\" title=\"Poster for the film &quot;Kanal&quot; (Plakat do filmu &quot;Kana\u0142&quot;)\" width=\"1100\" height=\"619\" src=\"https:\/\/www.youtube.com\/embed\/pI2U5DpU6bk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div><\/p>\n\n\n<p><strong>The Kanal <\/strong>(Kana\u0142) 1957, re\u017c. Andrzej Wajda<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"145\" height=\"145\" src=\"https:\/\/tomekwojcik.eu\/wp-content\/uploads\/2020\/09\/kws_logo.jpg\" alt=\"Kultura w sieci\" class=\"wp-image-702\"\/><figcaption class=\"wp-element-caption\"><strong>Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego \u2013 Kultura w sieci.<\/strong><\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>The movies combine animations showing the construction of the graphic structure of the posters with fragments of films by the Polish Film School, an artistic formation present in Polish cinematography in the years 1956-1963. The Polish Film School has had and still has a significant impact on contemporary cinema and other fields of art. The [&hellip;]<\/p>\n<a class=\"read-more-link\" href=\" https:\/\/tomekwojcik.eu\/index.php\/szkola-polska\/ \">Read more<\/a>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/tomekwojcik.eu\/index.php\/wp-json\/wp\/v2\/pages\/687"}],"collection":[{"href":"https:\/\/tomekwojcik.eu\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tomekwojcik.eu\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tomekwojcik.eu\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomekwojcik.eu\/index.php\/wp-json\/wp\/v2\/comments?post=687"}],"version-history":[{"count":46,"href":"https:\/\/tomekwojcik.eu\/index.php\/wp-json\/wp\/v2\/pages\/687\/revisions"}],"predecessor-version":[{"id":952,"href":"https:\/\/tomekwojcik.eu\/index.php\/wp-json\/wp\/v2\/pages\/687\/revisions\/952"}],"wp:attachment":[{"href":"https:\/\/tomekwojcik.eu\/index.php\/wp-json\/wp\/v2\/media?parent=687"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}